Ashkenazic Assimilation

The synagogue Brith Sholom Beth Israel on Rutledge Avenue in #Charleston is a 20th century structure, but embodies centuries of Orthodox Ashkenazic tradition. The temple’s origins go back to the arrival of the first Jews from Eastern Europe in Charleston during the 1840’s and by 1854, the congregation of Brith Sholom was established. The original synagogue was built in 1874 on St. Philip Street and although no longer standing, the current temple features many of its sacred aspects, including the Aron Kodesh (Ark) with its Corinthian columns, the tablets of the Ten Commandments above the Aron Kodesh, and the columns throughout the sanctuary supporting the women’s gallery. As more Ashkenazic Jews arrived in the early 20th century, there were tensions between those who had lived in Charleston for many years and those who arrived from countries such as Poland, Prussia and Lithuania. These newer immigrants formed a separate Orthodox congregation in 1911, Beth Israel, which built the current structure. Eventually, Orthodox followers came together and combined the two congregations, and in doing so have the distinction as being the oldest Orthodox congregation in continuous existence in America.

Porter Persistence

In 1880, the old United States arsenal in #Charleston was conveyed to Rev. Anthony Toomer Porter for use as a school, the Holy Trinity Church Institute, for young men. Porter, who had served as a Confederate chaplain during the Civil War, pulled off an amazing feat in having his request to possess the old arsenal, which had been seized by Confederates in 1860, approved by the General of the U.S. Army, none other than William Tecumseh Sherman. Porter’s remarkable persuasiveness got a hundred-year lease for one dollar, far less in treasure and blood than Charlestonians hd sacrificed in taking similar federal installations during the war. Porter converted most of the old arsenal buildings into classrooms, but selected one building for use as St. Timothy’s Chapel. Today, very little of the old campus exists other than St. Timothy’s, which stands as a reminder of the determined man for whom the school would eventually be known as Porter Military Academy, and eventually merging with Gaud School for boys into the current Porter-Gaud School, which moved from the location in 1966. <img.src=”Charleston History ” alt=”St. Timothy’s Chapel”

Lopsided Legacy

This is an image of a deed signed in 1686, conveying Kiawah Island to a group of settlers from #Charleston. The deal was struck between those whose names are signed on the bottom left with the Cussoe Indians, who used the island for hunting grounds. The deal was almost as lopsided as the one up in Manhattan, and for beads, hatchets and mirrors, the entire island was conveyed. Today, Kiawah is a world-class golf resort featuring single homes valued at $15-20 million each, so the Cussoe descendants might be inclined to feel the deal was unreal. Note that the native signers on the lower right had no knowledge of alphabets, and made their marks with feathers and wings. To them, ownership of land was apparently meaningless, as it seemed so abundant and was shared by many prior to European settlement. 

Symbolic Certainty

There are still those who insist the crescent in the #SouthCarolina flag is based on the moon. There is simply no evidence of any kind to back that up. On the other hand, I have found considerable evidence that the crescent comes from the Gorget, the crescent-shaped throat piece from the old knights’ armor that became a symbol of military rank throughout Europe. It is a fact that King George II was very fond of the gorget and presented replications in gold and silver to military officers, and many a historic painting shows this symbol worn like a necklace by military officers. One of the biggest admirers of King George II was William Bull II of Charleston, who was appointed Lt. Governor four times while South Carolina was a Royal colony. Bull’s own family crest includes the Gorget and the Gauntlet, both symbols of protection and power in the world of heraldry. Bull created the uniforms of the 2nd South Carolina Regiment militia in the 1760’s, and the caps worn by the soldiers had the crescent shape like a smile with points turned upward. Bull also commissioned William Moultrie as an officer in the 2nd South Carolina, and in Moultrie’s memoirs, he points out that a flag was created in 1775 for the Regiment, and that the crescent was based on the uniform. That flag became the basis for the state flag officially created in 1861, whose original design had the points of the crescent pointing up, and was changed in the late 1800’s to the current design. So by sheer linear logic, there is an almost undeniable case that the crescent is the Gorget. <img.src=”Charleston Military History” alt=”The Flag Crescent”

Lycoris Lore

One of the more stunning plants that graces historic #Charleston each year is the Lycoris Radiata. This perennial is native to Japan, and was introduced to America in the 1850’s and thrives in warm Southern climates. The flower contains toxins that are potentially harmful and to the Japanese, it became a symbol of death, which is especially ironic considering that the blooms are prevalent in Charleston graveyards. Another irony is that because it re-emerges from bulbs year after year, that among its notable nicknames is Resurrection Lily. Most Charlestonians call it Red Spider Lily because of its dramatically protruding stamens, but because it also comes up typically in September, it is also known as Hurricane Lily. Like many plants in the Amaryllis family, the Lycoris Radiata blooms on top of an empty stalk after foliage has died away to expose its radiant color, and for that, the flowers are also known as Naked Ladies. <img.src=”Charleston Gardens” alt=”Hurricane Lilies

Inventive Iusti

Johann August Wilhelm Iusti was a German-born immigrant to #Charleston in the 1830’s. He went by his second name, August, which is literally translated as “venerable”, appropriate considering one of his works is still among the most admired sights in the historic city. Iusti’s wrought iron gates at St. Michael’s Church are incredibly well-detailed and made exquisitely in  slender fashion that shows the artistic touch that he obviously had with hammer  on anvil. Done around 1840, the gates still bear Iusti’s name in the iron overthrow. But sadly, there are no records of other gates that he did, living in Charleston until 1895. Perhaps the answer lies in an invention he was credited with  by the U.S. Patent office for a mechanical rain conductor, which in that day were made out of decorative iron. Many of these still exist on historic houses today, and maybe they are part of Iusti’s legacy.

 

   

Steeple Study

Historic #Charleston, SC is famous for its steepled skyline, and features a variety of architectural styles in these that include English Renaissance Revival, Gothic Revival, Georgian Palladian, Romanesque Revival and Richardson Revival. The term steeple comes from Old English “steap”, meaning lofty, and these are indeed, with the highest being the 254-foot version at St. Matthews Lutheran Church. The steeple pictured here is St. Philip’s Anglican Church, and displays all the classic parts of the steeple, which not all in Charleston have. At the base, with the round window, is the Tower, above that the Belfry, where bells ring through the louvers, and above that the Clock, then the Lantern, where lights were typically shown, then at the top, the Spire. <img.src=”Charleston Architecture” alt=”Classic Steeples

Palladio’s Portico

One of the most striking features of the classical architecture in #Charleston is the multi-columned portico. Dozens and dozens of magnificent structures are adorned with them, adding greatly to their visual appeal. The appeal has transcended centuries, and was first created by the ancient Greeks and copied later by the Romans, and the term portico comes from the Italian word for porch. Typically two-story in height and featuring four or six columns, the portico gives any building a look of grandeur. It was the beauty of the ancient buildings that inspired Italian architectural historian Andreas Palladio in the 16th century, and he published four books of architecture with intricate details about the classic Greek and Roman designs. These works were later published in 18th century England, and the classical style became all the rage there in the 17 and 1800’s, and thus on to America. Few Americans ever knew of Andreas Palladio, but so many over the years have greatly enjoyed the aesthetic that he revived and stands so grandly throughout Charleston today. <img.src=”Charleston Architecture” alt=”The Portico”